Acting Crazy: Doug in a New Show
. Last week I opened in a new show: Harold Pinter’s (Winner of the Nobel Prize for Literature) “The Homecoming,” a very famous play (and which now looks impressive on my theatrical resume). In it I play the mentally unbalanced head of a very dysfunctional lower-class English family, in what is a dark comedy that sends the audience out of the theater arguing about what it all meant. For this role I had to learn a new accent, which was difficult, and, since I have the largest part, pages and pages of dialogue that ramble disconcertingly from one topic to another. My character, Max, is a 70 year-old retired butcher, who has three sons, one of whom comes back suddenly from America with his new wife (hence the “homecoming” of the title). Max has dialogue like this one as he talks about his deceased wife with his newly-discovered daughter-in-law, while pointing to his three sons: Mind you, she taught those boys everything they know . . . Every single bit of the moral code th